{"id":5085,"date":"2022-06-07T22:20:55","date_gmt":"2022-06-07T22:20:55","guid":{"rendered":"https:\/\/nucleo-lc.org\/?p=5085"},"modified":"2022-07-19T22:26:33","modified_gmt":"2022-07-19T22:26:33","slug":"sobre-el-centenario-de-iannis-xenakis","status":"publish","type":"post","link":"https:\/\/nucleo-lc.org\/en\/2022\/06\/07\/sobre-el-centenario-de-iannis-xenakis\/","title":{"rendered":"Sobre el centenario de Iannis Xenakis \u2014 Renzo Filinich"},"content":{"rendered":"
XENAKIS 100<\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n<\/div><\/div><\/div><\/div><\/div><\/section>

SOBRE EL CENTENARIO DE IANNIS XENAKIS<\/span><\/span><\/h2>
\u2014 RENZO FILINICH<\/span><\/span><\/div><\/div><\/div><\/div>
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La contingencia se convierte en necesidad respecto a un sistema. De alg\u00fan modo la contingencia se destaca como un concepto fundamental para la racionalidad y la creatividad, algo que se puede ver claramente en la m\u00fasica estoc\u00e1stica del compositor griego Iannis Xenakis, sobre la cual \u00e9l escribe:<\/p>\n

Desde la antig\u00fcedad los conceptos de azar (tyche), desorden (ataxia) y desorganizaci\u00f3n fueron considerados como opuesto y negaci\u00f3n de la raz\u00f3n (logos), el orden (taxis) y la organizaci\u00f3n (systasis). S\u00f3lo recientemente el conocimiento ha podido penetrar el azar y ha descubierto c\u00f3mo separar sus grados, es decir, racionalizar progresivamente, sin llegar, sin embargo, a una explicaci\u00f3n definitiva y total del problema del \u201cazar puro\u201d [1].<\/p>\n

En ese sentido, podr\u00edamos observar que la contingencia no producir\u00e1 un sistema a menos que esta contingencia se vuelva necesaria; como afirma Xenakis, \u201cla pura casualidad y el puro determinismo son solo dos facetas de una entidad\u201d. Entonces \u00bfQu\u00e9 es ese movimiento, que es a la vez contingente y necesario, o dicho de otro modo, es mientras no es?<\/p>\n

Podemos percibir dentro de la m\u00fasica de Xenakis y considerarla como una contingencia objetiva, porque es causada por \u201cla combinaci\u00f3n o el encuentro de eventos que pertenecen a series independientes\u201d. El comportamiento estoc\u00e1stico en la m\u00fasica de Xenakis, no es una violaci\u00f3n de la causalidad sino un caso particular de causalidad, en el que dos espacios se juntan, como la t\u00e9cnica del collage utilizada por los surrealistas en la que se juntan dos objetos o dos realidades distantes para provocar algo nuevo o diferente e inesperado. La m\u00fasica estoc\u00e1stica de Xenakis va contra toda regla o ley a la recursividad, que la observa como un movimiento que integra incansablemente la contingencia en su propio funcionamiento para realizar su propio telos<\/em>. Al hacerlo, Xenakis genera una complejidad impenetrable en el transcurso del tiempo.<\/p>\n

Podemos homologar las estructuras que componen las obras de Xenakis como\u00a0 organismos que exhiben una complejidad de relaciones entre las partes y el todo dentro de su obra y su entorno (por ejemplo, acoplamientos estructurales con el espacio) en su funcionamiento. La vida tambi\u00e9n exhibe tal complejidad, ya que espera lo inesperado, y en cada encuentro intenta convertir lo inesperado en un evento que pueda contribuir a su singularidad. Es entonces, que el sonido\u00a0 en la obra de Xenakis en ese sentido acontece en puro devenir.<\/p>\n

Es as\u00ed que este centenario del nacimiento Iannis Xenakis viene a integrarse dentro de los procesos presentes y futuros en nuestra relaci\u00f3n con aquellos espacios que habitamos y las relaciones que generamos con estos a trav\u00e9s del campo perceptual y cognitivo.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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[1] Iannis Xenakis, Formalized Music: Thought and Mathematics in Composition (New York: Pendragon, 1990)<\/span><\/p>\n

En colaboraci\u00f3n con:<\/span>
\nInterfaces. Centro de Estudios – UV<\/a><\/p>\n

Imagen:<\/span>
\n\u00abL\u00e9gende d’Er\u00bb y \u00abDiatope\u00bb (1978) An Architect Draws Sound and Light: New Perspectives on Iannis Xenakis.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n<\/div>","protected":false},"excerpt":{"rendered":"XENAKIS 100 SOBRE EL CENTENARIO DE IANNIS XENAKIS\u2014 RENZO FILINICHLa contingencia se convierte en necesidad respecto a un sistema. De alg\u00fan modo la contingencia se destaca como un concepto fundamental para la racionalidad y la creatividad, algo que se puede ver claramente en la m\u00fasica estoc\u00e1stica del compositor griego Iannis Xenakis, sobre la cual \u00e9l...","protected":false},"author":4,"featured_media":5087,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[79],"categoriasgenerales":[62],"class_list":["post-5085","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-investigacion","tag-xenakis-100","categoriasgenerales-investigacion"],"acf":[],"yoast_head":"\nSobre el centenario de Iannis Xenakis \u2014 Renzo Filinich - NLC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nucleo-lc.org\/en\/2022\/06\/07\/sobre-el-centenario-de-iannis-xenakis\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sobre el centenario de Iannis Xenakis \u2014 Renzo Filinich - 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