{"id":6453,"date":"2023-10-22T19:32:15","date_gmt":"2023-10-22T19:32:15","guid":{"rendered":"https:\/\/nucleo-lc.org\/?p=6453"},"modified":"2024-07-27T21:03:37","modified_gmt":"2024-07-27T21:03:37","slug":"booklet-sonoridad-latente-selva-sintetica-sensible-al-codigo","status":"publish","type":"post","link":"https:\/\/nucleo-lc.org\/en\/2023\/10\/22\/booklet-sonoridad-latente-selva-sintetica-sensible-al-codigo\/","title":{"rendered":"BOOKLET \u00abSonoridad Latente &#8211; Selva Sint\u00e9tica\u00bb \u2014 Sensible al c\u00f3digo"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><section class=\"l-section wpb_row us_custom_445b4a37 centrar height_medium width_full\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner us_custom_6e59d6f4\"><div class=\"wpb_wrapper\"><section class=\"l-section wpb_row us_custom_821ea863 centrar height_medium width_full\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner us_custom_6e59d6f4\"><div class=\"wpb_wrapper\"><div class=\"w-post-elm post_taxonomy us_custom_3516b961 has_text_color style_simple color_link_inherit\"><span>SENSIBLE AL C\u00d3DIGO<\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n<\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row us_custom_f99dbbc4 height_medium width_full\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><h2 class=\"w-post-elm post_title us_custom_fe968b72 titulobr has_text_color entry-title color_link_inherit\">BOOKLET \u00abSonoridad Latente &#8211; Selva Sint\u00e9tica\u00bb \u2014 Sensible al c\u00f3digo<\/h2><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row us_custom_2c7430a7 height_medium width_full\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-grid type_carousel layout_261 ratio_4x3\" id=\"us_grid_1\"><style>#us_grid_1 .w-grid-item-h:before{padding-bottom:75%}.layout_261 .w-grid-item-h:before{padding-bottom:57.1429%}.layout_261 .w-grid-item-h{}.layout_261 .usg_post_image_1{width:100%!important;height:100%!important;max-width:100%!important;max-height:100%!important;min-width:100%!important;min-height:100%!important;position:absolute!important}<\/style><div class=\"w-grid-list owl-carousel navstyle_block navpos_inside\" style=\"--arrows-size:1.3rem;\">\t<article class=\"w-grid-item post-6454 attachment type-attachment status-inherit hentry\" data-id=\"6454\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 has_width has_height stretched\"><a href=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/Contraportada-DoblePagina-SAC-cuadrado-Rojo-v2_SxW.jpg\" ref=\"magnificPopup\" aria-label=\"Contraportada-+-DoblePagina-SAC-cuadrado-Rojo-v2_SxW\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"746\" src=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/Contraportada-DoblePagina-SAC-cuadrado-Rojo-v2_SxW.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/Contraportada-DoblePagina-SAC-cuadrado-Rojo-v2_SxW.jpg 1200w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/Contraportada-DoblePagina-SAC-cuadrado-Rojo-v2_SxW-300x187.jpg 300w, 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src=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Gris_SxW.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Gris_SxW.jpg 1200w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Gris_SxW-300x187.jpg 300w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Gris_SxW-1024x637.jpg 1024w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Gris_SxW-120x75.jpg 120w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Gris_SxW-180x112.jpg 180w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/div>\t\t<\/div>\r\n\t<\/article>\r\n\t<article class=\"w-grid-item post-6457 attachment type-attachment status-inherit hentry\" data-id=\"6457\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 has_width has_height stretched\"><a href=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Rojo_SxW.jpg\" ref=\"magnificPopup\" aria-label=\"DoblePagina-SAC-cuadrado-Rojo_SxW\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"746\" src=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Rojo_SxW.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Rojo_SxW.jpg 1200w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Rojo_SxW-300x187.jpg 300w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Rojo_SxW-1024x637.jpg 1024w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Rojo_SxW-120x75.jpg 120w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Rojo_SxW-180x112.jpg 180w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/div>\t\t<\/div>\r\n\t<\/article>\r\n\t<article class=\"w-grid-item post-6456 attachment type-attachment status-inherit hentry\" data-id=\"6456\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 has_width has_height stretched\"><a href=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Gris-v3_SxW.jpg\" ref=\"magnificPopup\" aria-label=\"DoblePagina-SAC-cuadrado-Gris-v3_SxW\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"746\" src=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Gris-v3_SxW.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Gris-v3_SxW.jpg 1200w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/DoblePagina-SAC-cuadrado-Gris-v3_SxW-300x187.jpg 300w, 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src=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/portada-DoblePagina-SAC-cuadrado-Rojo-v2_SxW.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/portada-DoblePagina-SAC-cuadrado-Rojo-v2_SxW.jpg 1200w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/portada-DoblePagina-SAC-cuadrado-Rojo-v2_SxW-300x187.jpg 300w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/portada-DoblePagina-SAC-cuadrado-Rojo-v2_SxW-1024x637.jpg 1024w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/portada-DoblePagina-SAC-cuadrado-Rojo-v2_SxW-120x75.jpg 120w, https:\/\/nucleo-lc.org\/wp-content\/uploads\/2023\/12\/portada-DoblePagina-SAC-cuadrado-Rojo-v2_SxW-180x112.jpg 180w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/div>\t\t<\/div>\r\n\t<\/article>\r\n<\/div><div class=\"g-preloader type_1\">\r\n\t<div><\/div>\r\n<\/div>\r\n\t<div class=\"w-grid-json hidden\" onclick='return {&quot;action&quot;:&quot;us_ajax_grid&quot;,&quot;ajax_url&quot;:&quot;https:\\\/\\\/nucleo-lc.org\\\/wp-admin\\\/admin-ajax.php&quot;,&quot;infinite_scroll&quot;:0,&quot;max_num_pages&quot;:1,&quot;pagination&quot;:&quot;none&quot;,&quot;permalink_url&quot;:&quot;https:\\\/\\\/nucleo-lc.org\\\/en\\\/wp-json\\\/wp\\\/v2\\\/posts\\\/6453&quot;,&quot;template_vars&quot;:{&quot;columns&quot;:&quot;1&quot;,&quot;exclude_items&quot;:&quot;none&quot;,&quot;img_size&quot;:&quot;full&quot;,&quot;ignore_items_size&quot;:false,&quot;items_layout&quot;:&quot;261&quot;,&quot;items_offset&quot;:&quot;1&quot;,&quot;load_animation&quot;:&quot;none&quot;,&quot;overriding_link&quot;:&quot;none&quot;,&quot;post_id&quot;:6453,&quot;query_args&quot;:{&quot;post_type&quot;:[&quot;attachment&quot;],&quot;post__in&quot;:[&quot;6454&quot;,&quot;6455&quot;,&quot;6457&quot;,&quot;6456&quot;,&quot;6458&quot;],&quot;post_status&quot;:&quot;inherit&quot;,&quot;post_mime_type&quot;:&quot;image&quot;,&quot;posts_per_page&quot;:&quot;5&quot;},&quot;orderby_query_args&quot;:{&quot;orderby&quot;:{&quot;post__in&quot;:&quot;ASC&quot;},&quot;order&quot;:&quot;ASC&quot;},&quot;type&quot;:&quot;carousel&quot;,&quot;us_grid_ajax_index&quot;:1,&quot;us_grid_filter_params&quot;:null,&quot;us_grid_index&quot;:1,&quot;_us_grid_post_type&quot;:&quot;attachment&quot;},&quot;carousel_settings&quot;:{&quot;autoHeight&quot;:0,&quot;autoplay&quot;:1,&quot;carousel_fade&quot;:0,&quot;center&quot;:0,&quot;dots&quot;:0,&quot;items&quot;:&quot;1&quot;,&quot;loop&quot;:true,&quot;nav&quot;:1,&quot;slideby&quot;:&quot;1&quot;,&quot;smooth_play&quot;:0,&quot;speed&quot;:250,&quot;timeout&quot;:5000,&quot;transition&quot;:&quot;&quot;},&quot;carousel_breakpoints&quot;:{&quot;0&quot;:{&quot;autoHeight&quot;:0,&quot;autoplay&quot;:1,&quot;autoplayHoverPause&quot;:1,&quot;items&quot;:1,&quot;loop&quot;:true,&quot;stagePadding&quot;:0},&quot;600&quot;:{&quot;autoHeight&quot;:0,&quot;autoplay&quot;:1,&quot;autoplayHoverPause&quot;:1,&quot;items&quot;:&quot;1&quot;,&quot;loop&quot;:true,&quot;stagePadding&quot;:0},&quot;900&quot;:{&quot;autoHeight&quot;:0,&quot;autoplay&quot;:1,&quot;autoplayHoverPause&quot;:1,&quot;items&quot;:&quot;1&quot;,&quot;loop&quot;:true,&quot;stagePadding&quot;:0},&quot;1200&quot;:{&quot;items&quot;:1,&quot;stagePadding&quot;:0}}}'><\/div>\r\n\t<\/div><div class=\"w-separator size_medium\"><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row us_custom_86b0c89d height_medium width_full\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner us_custom_4916a5e1\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column us_custom_1e0e9307 textopublicacion\"><div class=\"wpb_wrapper\"><p><strong>RIOS VOLADORES<\/strong><\/p>\n<p>La noci\u00f3n de circuito implica la circulaci\u00f3n de un flujo en un recorrido que se fija y que termina donde comienza. Proponer una noci\u00f3n expandida de circuito implica considerar que las repercusiones de esta circulaci\u00f3n van m\u00e1s all\u00e1 del circuito en s\u00ed, activando nuevos flujos y excediendo el dise\u00f1o y la materialidad del recorrido original.<\/p>\n<p>Por ejemplo, tendemos a pensar el flujo de un r\u00edo como el agua que circula con fuerza por un cauce y sus bifurcaciones, sin considerar las precipitaciones que originan su caudal, el mar donde desemboca, o las part\u00edculas que se evaporan y que forman las nubes que luego generan la lluvia que cae de vuelta a la superficie terrestre. Tampoco consideramos los diversos minerales que circulan en el agua, o la funga, flora y fauna que viven en o gracias a \u00e9ste.<\/p>\n<p>Los r\u00edos voladores del Amazonas son flujos de vapor de agua alimentados por la evapotranspiraci\u00f3n de la selva amaz\u00f3nica, los que se trasladan por el aire desde el oc\u00e9ano Atl\u00e1ntico hasta Los Andes. Ellos manifiestan una interconexi\u00f3n simbi\u00f3tica de la naturaleza: una selva que se asienta, es, genera y distribuye un rio bajo y sobre ella. Un circuito que trasciende su flujo, recorrido y materialidad.<\/p>\n<p><strong>REMEDIAR LO VISIBLE Y LO AUDIBLE<\/strong><\/p>\n<p>La noci\u00f3n de remediaci\u00f3n transita entre la posibilidad de traspasar algo de un medio a otro y la posibilidad de dar remedio. En la primera, lo traspasado conserva cualidades que permiten una correspondencia entre una versi\u00f3n con otra, como por ejemplo entre una pintura y su fotograf\u00eda, o entre una receta de cocina y la comida preparada.<\/p>\n<p>Una descarga el\u00e9ctrica en la atm\u00f3sfera se vuelve visible como un rayo. Pocos segundos despu\u00e9s, se vuelve audible mediante un estruendoso trueno. Sus distintas repercusiones viajan por el aire a dos velocidades diferentes: la de la luz y la del sonido. El rayo esconde su sonoridad y el trueno su visibilidad, aunque ambos se hayan producido simult\u00e1neamente.<\/p>\n<p>Lo visible y lo audible se pueden remediar y almacenar en diferentes medios tecnol\u00f3gicos, permitiendo su posterior reproducci\u00f3n, y conservando caracter\u00edsticas similares a las originales. Lo visible y lo audible tambi\u00e9n pueden ser transmitidos a una m\u00e1quina que capte las ondas que los generan. As\u00ed, la onda de choque producida por una descarga el\u00e9ctrica y percibida como una experiencia sonora, puede remediarse como la inscripci\u00f3n de su vibraci\u00f3n, en la forma del microsurco dibujado por una aguja sobre la superficie de un disco de policloruro de vinilo, siendo as\u00ed almacenada en forma an\u00e1loga. Estos microsurcos en espiral son casi imperceptibles al ojo humano, revel\u00e1ndose como sonido al hacer vibrar la aguja que los recorre y en la transmisi\u00f3n de esta vibraci\u00f3n a un campo electromagn\u00e9tico. El recorrido de la aguja remedia las inscripciones materiales como electricidad audible.<\/p>\n<p>En la cultura shipibo, el <em>ken\u00e9<\/em> llama al tacto para activar su sonoridad. Este dise\u00f1o dibujado o bordado revela patrones geom\u00e9tricos que operan como c\u00f3digos a los que se accede mediante la ingesta del brebaje de plantas maestras, tales como la ayahuasca y la chacruna, y se expresa como un canto que sana la enfermedad. Un canto capaz de remediar.<\/p>\n<p><strong>SELVA SINT\u00c9TICA<\/strong><\/p>\n<p>La selva interpela nuestros sentidos mediante una invitaci\u00f3n a incorporarnos al entorno y permitir que este nos incorpore. La experiencia de la selva es h\u00fameda y envolvente. Implica estar rodeado de capas sobre capas. Follajes, lianas y troncos impiden ver el horizonte. As\u00ed, la saturaci\u00f3n visual de la selva no nos deja ver m\u00e1s all\u00e1, haci\u00e9ndonos volver la mirada al entorno pr\u00f3ximo y a nuestro presente. Los sonidos se cruzan unos con otros, sobrepoblando el ambiente de seres que nos rodean y nos perciben, aunque no los identifiquemos del todo.<\/p>\n<p>Aunque ca\u00f3tica, esta saturaci\u00f3n aloja certezas que solo pueden lograrse mediante la interpretaci\u00f3n consciente de lo que nos rodea. Por ejemplo, podemos distinguir la simetr\u00eda como patr\u00f3n de composici\u00f3n visual. Hojas, flores, frutos, insectos, peces, reptiles, aves y mam\u00edferos \u2013incluy\u00e9ndonos\u2013 muestran corporalidades organizadas mediante simetr\u00eda bilateral o radial. Tambi\u00e9n, podemos observarla en los reflejos que forman los r\u00edos. As\u00ed tambi\u00e9n podemos distinguir que, sonoramente, la saturaci\u00f3n de capas con diferentes frecuencias se organiza mediante patrones de repetici\u00f3n, que permanecen, se detienen, se suavizan e intensifican.<\/p>\n<p>La palabra s\u00edntesis proviene del griego <em>synthesis<\/em> que significa composici\u00f3n, es decir, el resultado de una reuni\u00f3n de partes o elementos. Componer, implica organizar en base a trazados o diagramas, los que no son figurativos, sino que operan al margen de la semejanza. De esta forma, la s\u00edntesis puede considerarse un proceso de remediaci\u00f3n que implica atender a la manera en que la suma de ciertos elementos conforma un todo. Esta noci\u00f3n de s\u00edntesis permite abordarla como la posibilidad de replicar una parte de algo mediante la identificaci\u00f3n y remediaci\u00f3n de patrones. Patrones entendidos como c\u00f3digos que almacenan la informaci\u00f3n suficiente para fabricar, a partir de la reuni\u00f3n de otras partes o elementos, algo que resulte similar a los sentidos.<\/p>\n<p>As\u00ed, la s\u00edntesis se obtiene a partir de la comprensi\u00f3n diagram\u00e1tica de los patrones perceptibles, imperceptibles y codificados, que posibilitan cada composici\u00f3n. Esto implica que, de un original, se extrae el c\u00f3digo que constituye una cualidad espec\u00edfica, para generar una versi\u00f3n que replique sus patrones y permita obtener una reproducci\u00f3n sint\u00e9tica, como por ejemplo, \u00a0un concepto que sintetiza ideas complejas, o el compuesto qu\u00edmico que reproduce un sabor en forma sint\u00e9tica.<\/p>\n<p>Esta relaci\u00f3n de referencialidad entre el original y su s\u00edntesis, es la que media entre un registro de audio realizado en un entorno selv\u00e1tico, y el audio de estas pistas que, mediante sintetizadores, teclados y un poncho sonoro sensible al tacto \u2013es decir, un oscilador el\u00e9ctrico en forma de manto\u2013buscan sintetizar la sonoridad de la selva. En este sentido, las composiciones inscritas en este disco proponen la posibilidad de una experiencia de selva sint\u00e9tica como resultado de la remediaci\u00f3n de la experiencia de la selva, no como la captura para la reproducci\u00f3n de sus ondas sonoras a modo de registro, sino como la s\u00edntesis de su sonoridad utilizando lo que concebimos como los patrones que la componen.<\/p>\n<p>&#8212;<\/p>\n<p><strong>FLYING RIVERS<\/strong><\/p>\n<p>The concept of a circuit entails the movement of a flow along a predetermined path, returning to its starting point. Introducing an expanded concept of a circuit involves recognizing that the consequences of this movement extend beyond the circuit itself, activating new currents and surpassing the initial route&#8217;s design and materiality.<\/p>\n<p>For instance, we often perceive a river&#8217;s flow as the water that moves vigorously through its bed and tributaries, overlooking the rains that initiate its flow, the ocean into which it eventually merges, or the particles that evaporate and create clouds, leading to subsequent rainfall onto the Earth&#8217;s surface. Furthermore, we fail to consider the assorted minerals carried within the water, as well as the fungi, flora, and fauna that inhabit it or rely on it.<\/p>\n<p>The flying rivers of the Amazon are vaporous water currents driven by the evapotranspiration of the Amazon rainforest. These currents traverse the atmosphere from the Atlantic Ocean to the Andes Mountains. They illustrate a symbiotic interconnection within nature: a rainforest that establishes, exists, generates, and disseminates a river, both below and above its surface. A circuit that goes beyond the river&#8217;s flow, path, and materiality.<\/p>\n<p><strong>REMEDIATING THE VISIBLE AND THE AUDIBLE<\/strong><\/p>\n<p>The concept of remediation involves the potential to transfer something from one medium to another and the capacity to offer a remedy. In the former, the transferred element retains qualities that facilitate a correspondence between different versions. This is evident, for example, in the relationship between a painting and its photograph, or a cooking recipe and the resulting prepared meal.<\/p>\n<p>An electrical discharge in the atmosphere becomes visible as a lightning bolt. Shortly thereafter, it becomes audible through a resounding clap of thunder. These distinct effects travel through the air at different speeds: that of light and that of sound. The sound of lightning remains concealed, just as the visibility of thunder does, even though both events unfold simultaneously.<\/p>\n<p>The visible and the audible can be remediated and preserved using various technological media, enabling subsequent replication while maintaining qualities akin to the originals. The visible and the audible can also be conveyed to a machine designed to capture the waves they generate. Consequently, the shockwave resulting from an electrical discharge, perceived as a sonorous encounter, can be remediated through the recording of its vibrations onto the surface of a vinyl polychloride disc, etched into microgrooves by a stylus. This recording is stored in analogue form. These delicate spiral microgrooves are almost imperceptible to the human eye, only revealing themselves as sound when the stylus&#8217;s vibrations traverse them, transmitting this motion into an electromagnetic field. The journey of the stylus thus remediates the material inscriptions into audible electricity.<\/p>\n<p>In Shipibo culture, the ken\u00e9 employs touch to awaken its sound. This design, whether drawn or embroidered, unveils geometric patterns that serve as codes, accessible through the consumption of brews derived from master plants like ayahuasca and chacruna. Subsequently, these patterns are transformed into a curative song, a chant capable of remedying.<\/p>\n<p><strong>SYNTHETIC JUNGLE<\/strong><\/p>\n<p>The jungle engages our senses, inviting us to blend into the environment and allowing it to blend into us. The jungle experience is both humid and immersive, enveloping us in layers upon layers. Foliage, vines, and trunks obscure our view of the horizon. Consequently, the visual saturation of the jungle restricts our vision, focusing our attention on the immediate surroundings and the present moment. Sounds intertwine, filling the environment with creatures that encircle us and sense our presence, even if we&#8217;re unable to fully identify them.<\/p>\n<p>Despite its chaos, this saturation carries certainties that can only be grasped through a deliberate interpretation of our environment. For instance, symmetry emerges as a discernible pattern in visual composition. Leaves, flowers, fruits, insects, fish, reptiles, birds, and mammals \u2013 ourselves included \u2013 showcase structured forms through bilateral or radial symmetry. Furthermore, we can witness this in the reflections created by the rivers. Similarly, we can also identify that, in terms of sound, the saturation of layers with varying frequencies is structured by patterns of repetition that linger, pause, soften, and intensify.<\/p>\n<p>The Greek term \u00absynthesis\u00bb means composition: the outcome of combining various parts or elements. To compose entails arranging based on outlines or diagrams, which aren&#8217;t representative but transcend resemblance. In this manner, synthesis can be viewed as a remediation process that involves contemplating how the amalgamation of specific elements gives rise to a whole. This notion of synthesis enables us to approach it as the potential to replicate a portion of something by recognizing and remediating patterns. These patterns are understood as codes that contain adequate information to construct, through the assembly of other parts or elements, something akin to our sensory perceptions.<\/p>\n<p>Therefore, synthesis is achieved by comprehending the diagrammatic patterns that are perceptible, imperceptible, and encoded, which facilitate every composition. This suggests that, from an original, the code that forms a particular trait is extracted to produce a version that duplicates its patterns, enabling synthetic replication. For instance, a concept that amalgamates intricate ideas or a chemical compound that mimics a taste in a synthetic manner.<\/p>\n<p>This referential connection between the original and its synthesis acts as an intermediary for an audio recording captured within a jungle environment and the audio presented in these tracks. Achieved through the use of synthesizers, keyboards, and a touch-sensitive sonorous poncho \u2013 an electric oscillator in the form of a cloak \u2013 the intention is to recreate the auditory environment of the jungle. In this context, the compositions etched onto this record propose the possibility of a synthetic jungle experience, arising from the process of remediating the jungle experience. A proposal that is not grounded in field recordings of the jungle, recording but rather in synthesizing its auditory essence using what we understand as the underlying patterns that shape it.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner us_custom_7b996bff\"><div class=\"wpb_wrapper\"><div class=\"w-separator size_medium\"><\/div><div class=\"wpb_text_column us_custom_1e0e9307 textopublicacion\"><div class=\"wpb_wrapper\"><p>Sonoridad latente &#8211; Selva sint\u00e9tica<br \/>\n(Booklet)<\/p>\n<p><strong>Edici\u00f3n:<\/strong><br \/>\nFernando Portal<\/p>\n<p><strong>Texto<\/strong><br \/>\nMar\u00eda Jes\u00fas Schultz<\/p>\n<p><strong>Direcci\u00f3n de Arte \/ Art Direction<\/strong><br \/>\nCristian Toro<\/p>\n<p><strong>Escanimaciones \/ Scanimations<\/strong><br \/>\nJuan Pablo Torrealba<\/p>\n<p><strong>Serigrafia \/ Silkscreen<\/strong><br \/>\nDomingo Siete<\/p>\n<p>Octubre 2023<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":6459,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[57],"categoriasgenerales":[66],"class_list":["post-6453","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ediciones","tag-sensible-al-codigo","categoriasgenerales-ediciones"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>BOOKLET &quot;Sonoridad Latente - Selva Sint\u00e9tica&quot; 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